Elizabeth Huston has been fascinated by contemporary art for as long as she can remember. She grew up on Washington State’s Olympic Peninsula, where, as the daughter of two professional musicians, she was exposed to experimental performance, new technologies, and an active cultural scene. Her parents founded the first youth symphony in their town, and as a teenager Elizabeth took on administrative and production tasks, sparking an early interest in how artistic work is organized and supported.

In 2012, she founded A Change of Harp, a concert series dedicated to exploring composers’ inner creative worlds. Since then, she has co-founded the Arcana New Music Ensemble with Bowerbird in Philadelphia, produced dozens of contemporary and experimental music events internationally, and consistently supported composers through commissioning, presentation, and long-term collaboration. She has developed harp and contemporary music programs for youth, taught privately, and built durable artistic infrastructures across the US and Europe. Now based in The Netherlands, she co-directs Synchromy in Los Angeles and Synchromie in The Hague, and is a core member of the SoundHouse collective, which owns and operates a venue dedicated to music exploration and research. Since 2012, she has written and secured successful grants amounting to 2.4 million dollars in funding for artists, ensembles, and cultural organizations.

Talia Greene grew up in Berkeley, CA and has called Philadelphia her home since 2004. Greene creates site-specific and collaborative projects with a focus on social and environmental justice, often through an historic lens. She received a Percent for Art Commission in 2018 to create a permanent interactive mural for the Philadelphia City Archives, and has received grants and fellowships for site specific installations including an Independence Foundation Fellowship in the Arts Grant, a Center for Emerging Visual Artists Fellowship, and a Pennsylvania Council for the Arts Project Stream Grant. 

Greene also has over twenty years of curatorial and community arts experience. She has been a member of two artist-run galleries, including Grizzly Grizzly from 2014-2020. Greene has also worked as a community arts educator, receiving two New Courtland Fellowships for collaborative art projects with senior citizens, and recently a Velocity Fund Award for an upcoming project at Philadelphia’s Juvenile Justice Services Center. In 2024 she worked with Huston and Synchromy to develop their first partnership with a grass-roots environmental organization. Together, they brought in the most grants for a project in the organization’s history. Greene is currently Manager of Exhibitions in Engagement at Drexel University's Pearlstein Gallery, where she helped to bring in a successful PEW Center for Arts and Heritage grant for an upcoming exhibition in Fall 2026. 

Owen Fulton is a writer, artist, and musician who grew up and currently lives in Los Angeles, California. Since graduating from Sarah Lawrence College, he has joined Scale Up Arts, fielding his artistic and arts nonprofit experience as a grant writer. He has successfully written grants that have funded arts programs across Los Angeles County.

Since 2023, Owen has worked with Synchromy to plan, fund, and publicize projects that support Los Angeles composers. In 2024, Owen curated Tunes & Tales, an event that brought together over a dozen student songwriters and musicians at Loft393 in Tribeca, New York City for Marsyas Productions, the production arm of the Roger Shapiro Fund for New Music. Owen is a versatile musician experienced in vocal music, composition, electronic music, and songwriting. He has performed in jazz ensembles, a folk ensemble, a classical chorus, a rock band, and as a solo act.

He was Managing Editor of Sarah Lawrence College’s literary magazine, Love & Squalor. Owen’s writing has been published in five:2:one, Cultural Daily, and Love & Squalor. In his image-text practice, Owen has walked and photographed suburban streets, infrastructural ruins, and historic gardens. In 2025, Owen created an interdisciplinary installation, Filing Cabinet, in which he xeroxed the contents of years of field notebooks, creating a textual, visual, and auditory inventory, inviting participants to comb through the materials of his written existence.